Drawn From Life

Is almost certainly one of the best albums ever made. Quit not owning it. That is all.

Is almost certainly one of the best albums ever made. Quit not owning it. That is all.
I went to the Texas State Historical Association annual meeting this year in Austin. Took some alright pictures. Here’s a few, check out my Flickr page for more. If you like.
Also this is awesome, if you’re into either the Flaming Lips or Madonna. For the record I only really like one of those things.
As you already know, that is if you’re read the last few posts, I spent the last few days in Oklahoma visiting a friend and finally getting a chance to see the Flaming Lips live. As you also probably already know I enjoyed myself. Here are some more details that you also probably don’t care about.
Ended up being great. I posted quite a few pictures on my Flickr page, here’s a few good ones. Click to enlarge, of course.
Is the name of Brian Eno and David Byrne’s new “electronic Gospel” album. It’s their first collaborative release since “My Life in the Bush of Ghosts,” an experimental thing that came out in 1981, which was great, but pretty weird (which is probably why I thought it was great). I’m going to have to listen to ”Everything” a few more times before I know how much staying power it’s going to have, but so far I’m enjoying it. It’s very folksy, but also feels thick and full, if that makes any sense. It’s more straight forward than “Bush of Ghosts,” but the aura of ambient experimental electronica sort of floats around the whole time – something you can sense but that doesn’t punch you in the face like it usually does with Eno. Not that that’s a bad thing.
Anyhow, the album was released independently by them and only on their website. You can stream the entire CD on their page for free, and download one song for free as well. You can also buy the digital version for $9 in DRM free 320kbps mp3s, with an FLAC version available for no extra charge if you’re into that kind of thing. Of course, there’s a super expensive version with a sweet case, a few extra songs, hardbound book, and some other stuff. If, you know, you have $70 that you really hate and want to get rid of. I sure don’t.
Big Ideas (don’t get any) from James Houston on Vimeo.
A video remix of the Radiohead song played by old electronic equipment. Xiu Xiu on the n-philes forums brought it to my attention.
I was never a huge fan of Nine Inch Nails – even when I tried to get into them a few years ago it only took a couple weeks for my interest to wane almost completely.
Then Ghosts I-IV came out, much to everyone’s surprise, in a very high quality, successful, impressive example of digital distribution done right a few days ago. I heard it was all electronic and instrumental, which sounded pretty good to me for a few reasons, the main one being that I like the idea of music that’s strong enough to stand on it’s own without a singing “front man.” It forces the music itself to be more interesting instead of relying so heavily on a familiar voice. Also, like Derrick and I were talking about earlier, Trent Reznor’s lyrics are historically embarrassingly angsty. Never the less, even with the nice release of an entirely electornic instramental album I was somewhat apprehensive about caring.
Then people started talking to me about the release, most of them talking about how they wish Reznor was singing, and almost everyone mentioning mixed feelings about it all. Finally I decide that I want to hear it for myself. I download Ghosts I, basically the first disc of the four disc set, which was released absolutely free via a torrent. Much to my surprise I liked it quite a bit and paid the OUTRAGOUS sum of five dollars to download all four discs.
While it’s far to early to tell if the release will stand the Adam Test of Time, which is perhaps the most rigorous test any piece of music can be put through, I can say that for now I’m really loving it. If nothing else I love the idea of so many people downloading and listening to it simply because it’s Nine Inch Nails, regardless of the fact that much of it sounds more like Brian Eno or Boards of Canada than Nine Inch Nails.